Category Archives: 03 – March

hugabug 10: Velvet worms

from Mayer & Harzsch 2007 (BMC Evolutionary Biology)

Velvet worms do it headfirst.
Listen to find out how and why.

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Music in this show:
1. Pizzicato Five, “Baby love child”
2. The Supremes, “Baby love”
3. Spanglish Fly, “Let my people bugalú” (Clay Holley and Jeff Dynamite remix)

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(734) 707–7750

A velvet worm is not really a worm. It’s not quite an insect, either. By any measure, velvet worms occupy their own special category of little creatures. If you find one in the dark, moist crevice of a rotting log, you might think it looks like the love child between an earthworm and centipede that was made into a stuffed animal.

photo by Andras Keszei

Under a microscope, you’ll see something different. Check for spikes or other unusual features, like claws or tusks, on the heads of the males. Even what looks like a pit between their antennae can flip inside-out to reveal something like a thorn on their forehead.

Above: from Tait & Norman 2006 (Journal of Zoology)
Below: from Rockman et al. 2001 (Molecular Phylogenetics and Evolution)

Only males carry extra anatomy on their heads. Which raises the question: Do those head structures have something to do with gettin’ some?

The answer is yes. Velvet worms have at least two unparalleled methods of sex.

The first involves going in headfirst. Lord only knows how a male gets sperm from one end of his body to the other, but he does. He makes himself a sperm hat, then approaches a female and pushes his head into her vagina. He’s wedged securely, and the female keeps his head steady with her feet.

The second mode of copulation involves neither the head nor the vagina of a velvet worm. We’re talking insemination through the skin.[1] Here’s what happens–one or several males place one or several sperm packets on a female velvet worm’s skin, all over the place. On her back, her sides, anywhere along the length of her body. The female’s own cells dissolve her skin under a ball of sperm, and a blister forms there. The bursting blister tears her skin and the sperm packet. The sperm swim into the female through her muscle, her tissues, her blood, eventually reaching her ovaries.

The beautiful part of this process is that the empty sperm packet sticks to the female over the wound that formed in her skin; it’s like a natural band-aid. Her body heals the hole, and the next time she sheds her skin to grow, she’s good as new. And pregnant.

Thanks to Andras Keszei for sharing the image

By the way, some velvet worms may not even need a guy’s help to have babies. But that’s another story.

For now, tip your sperm hat to these innovative velvet worms and their creativity when it comes to sex. I hope this gets you in the mood.

To hug a bug.

photo by James Wood

— — — — —

All that, not to mention the gooey cannons used by velvet worms to hunt:

“Two pistols that fire sticky ropes…slimed!” from National Geographic

After a bit of perambulating with its “soft, slumpy legs”, the velvet worm entangles prey with glue shot from the modified legs on its face, and then “reclaims its glue by eating it.” from Mr. Attenborough

Mesmerizing mini-videos (a.k.a. gifs) of the sticky cannons from F@#$ Yeah! Biology!

from Dias & Lo-Man-Hung 2009 (Journal of Arachnology)

Furthermore, these videos do not depict that some velvet worms hunt in groups. And we didn’t even talk about the female-dominated social hierarchy of some velvet worms, where an “alpha female” gets the privilege of nomming all by herself. When she’s finished, other females pick apart the carcass. Finally, male worms are allowed the scraps.

Something like 200 different velvet worm species crawl all over the world using their little hydrostatic-powered legs. mm, diverse-looking.

— — — — —

[1] ^ A detailed description of dermal-haemocoelic insemination, in all its jargony glory, with BONUS untranslated French and German excerpts: Manton 1938 (Philosophical Transactions of the Royal Society B)

Here’s the dilly yo for March 30

We begin with Mos Def’s first single. This is a song played in the show before mine, but it fits so well (with the alphabet at the beginning) that I include it for the flow. Then we have three renditions of the alphabet, by a Hong Kong man in the 1910s, Kimya Dawson, and Big Bird, respectively.

The “theme” of this show was inspired by a compilation called “Sprigs of Time: 78s From The EMI Archive”, and I describe what exactly the album is at the beginning of the show. Everything springs from everything else, in something like word associations, except they’re music associations.

Some more of what one might call highlights: Learn what a brim bram is! Dick Van Dyke makes an appearance, as does some good calypso. Wait til the penultimate song of my set–it’s one of my favorites by Joni Mitchell.

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What the hell, I left in Eleanor’s first song of her set. Radio W-E-E-D. It fooled me.

Also, stay tuned for next week–It’s gonna be all cappella…

Notes about March 23

Imagine what it sounds like to have 5-10 tabla players drumming simultaneously, along with some African drums and other instruments…

Now hear what it actually sounds like:

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An amalgamation of a multitude of drums–a simultaneous medley of hands hitting the skin of animals. I played 3 CD players and 2 turntables all at once to produce the pittering and pattering sounds of drums you hear at the beginning of the show.

How funky is a mosquito’s tweeter? Nina Simone can tell you. What, then, do Nina Simone and Jonathan Richman have in common? What might a cassette recording of Cambodian pop music sound like? Listen and find out!

Happy Birthday Sarah and Robert!

March 16

If I had a nickel for every time I say “generous donation” during this show, I wouldn’t be rich, but I’d definitely have a pocketful of change. There was indeed a generous donation to the station, just after the conclusion of our fundraiser at midnight, and I received several calls from this Esteban throughout the night.

Enjoy the sounds of black howler monkeys and cicadas.

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March 9: Annual fundraiser!

It’s fundraising time! You will hear frequent pleas for monetary donations throughout the show. And a big thank you to a certain Corazon Loteyro for a generous donation.

The station is full of carpeting and dust, so I often shock myself to oblivion due to static electricity. Tonight, as is wont to happen, one of the turntables shocked me when I touched it–the crazy thing was that the shock was enough to somehow turn off the adjacent turntable! That explains the pause you hear in the middle of one of the songs.

The set begins with old-school rap…which naturally leads, an hour or so later, to traditional Yiddish music.

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And we’re back. March 2.

The show begins with serenades to the global economic downturn, as sung by Sade, Aladdin, and Krazy Bone. It concludes on a similarly depressing note, starring Jandek. Since Jandek is such an interesting (cast of) character(s), I couldn’t resist talking about the little that the general public knows of him…

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